Mixtape IMO: The songs are chosen and mixed very well. AND, it’s tracked separately and named properly! Hooray! None of this super large MP3 business, searching for the part you like. Look out for “Passion Fruit”, a personal favourite on the mix.

Download Link:

http://www.sendspace.com/file/i7p8rq

Ed ecco che torna pronta come sempre questa Compilation che racchiude un paio di dischi Dance e HandsUp con qualche traccia piu' Trance.. sotto la Tracklist! :D

Tracklist:
CD1
01. Pulsedriver - Intro
02. Jean Elan - Where's Your Head At (Klaas Remix)
03. Klaas - Feel The Love (Increrse Mix)
04. Pulsedriver - Youth Of The Nation
05. Dave Orrell - Children (Club Mix)
06. Michael Mind - Show Me Love [Bottleg Mix)
07. J.Ropero & S. Grühnwald - Let Me Be Your Fantasy (Jerry Ropero Remix)
08. Shaun Baker - Hey Hi Hello (Sebastian Wolter Extended Mix)
09. Kevax Feat. 740 Boyz - Shimmy Shake (Steve'n King Booty Mix)
10. Sash Feat Stuitt - Raindrops (Encore...) (Extended mix)
11. Topmodelz - Maniax (Club Mix)
12. The Hitmen - Young & Free (Club Mix)
13. The Trancecore Project - Infinity (Club Mix)
14. Springstil - Zansibar (Megastylerz Remix)
15. Sheffield Jumpers - Jump With Me
16. Coastguard - Like Pretty Cool Harcore
17. Ultrabeat Vs. Darren Styles - Discolights (Extenden Mix)
18. Danceforce - The Energy (Deepforces Remix)
19. Rave Allstars - Hardcore Feelings
20. Greatest DJ - Party People (Club Mix)

CD2
01. X-Ray - Serenity (Milo.nl Vs Cj Stone Remix)
02. Jolly Harbour - The Beauty (About Blank & KLC Remix)
03. Driver & Face - Mental Thing (About Blank & KLC Remix)
04. M. Marberg & Kyau & Albert - Neo Love (Giuseppe Ottaviani Rmx)
05. Dream Dance Allicane - Summer Dreams (Lady Mix)
06. Brooklyn Bounce - Get Ready To Bounce (Recal 08 DDR Remix)
07. Mike Nero - Ready To Flow 2008 (DDR Remix)
08. Apollo - Alive (Megara Vs Dj Lee Remix)
09. Dan Winter - Fading Lika A Flower (Original Mix)
10. A.Spencer & Gollum - In The Shadows (Dj Gollum Remix)
11. AJP - Future Is Now (Club Mix)
12. Jan Van Bassio - Beautiful Life (Dan Winter Remix)
13. Topmodelz - I Think We're Alone Now (Club Mix)
14. Belmond & Parker - On The Move (Mario Lopez Remix)
15. Pulsedriver Vs. Stormchaser - Back To Love (Dave202 Remix)
16. Dave202 - Pictures In My Mind
17. A.Van Burren Feat. Sharron - In And Out Of Love
18. Stoneface & Terminal - Blueprint (Club Mix)
19. Chris Dr House - Believe (DDR Remix)
20. Beam - I Roam (Original Mix)

Info e vendita CDON.

»

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It's me, Dr.Music, and this is my own personal blog, where I'll be posting the latest about me and the projects I'm working on!  Stay tuned to make sure you don't miss a thing!

One of the most irreverent of Balinese dances is joged, which is also known as joged bumbung; referring to the instruments made of bamboo used to accompany it. In the Indonesian and Balinese languages, joged means to shake the hips. A joged dancer wears relatively un-elaborate attire, comprising a kebaya and sarung. Her head, either with or without gelungan, is decorated with fresh and gold-plated flowers and she will be holding one or more fans while dancing. The fans are used to touch spectators in order to invite them to join the dance.

Unlike many other forms of dance, joged doesn't have any particular pattern of movement or special steps. It can start and finish at any time but 10 minutes is about the average time for each dancer. Great ability to improvise is a must for a joged dancer and although every dancer can do joged, the audience always expects to see an attractive and charming girl. She has to throw a lot of smiles to make her appearance attractive to the spectators, who are generally predominantly male!

Shaking the hips is one of the important characteristics of joged. The dancer does this in a seductive way in order to attract people to dance with her. An onlooker invited to dance is called pengibing and his dance is called ngibing. In one joged performance, there can be between 6 and 12 dancers and the show can take from 1 to 2 hours. Each girl appears once and invites from 4-8 spectators to dance but there is no set number for this.

A joged dancer usually comes to pick one of the bystanders after making a brief attractive dance movement. She selects one among many of usually rowdy watchers who raise their hands; this invited spectator won't necessarily know how to dance. Before dancing, the girl gives him a sash to be tied round his hips as a symbol of tying up his desires. While he tries to dance, his appearance will almost certainly look odd and this is a great source of amusement for the rest of the crowd. If you find yourself at a performance of joged bumbung and you don't fancy being dragged in to the centre, try to keep a good distance away because it is considered impolite to refuse the dancer's invitation.

Pengibing are attracted to dance, not just because they like it, but also because they are attracted by the charms of the joged. It is not unusual for one or two of the more adventurous young men to try to move his hips so he can touch the joged's hips, or even to steal a quick kiss. The more beautiful a joged dancer is, the greater the number of men volunteering!

Joged has a long history. In the kingdom era, early 19th century in Bali, the image of joged dancers was not very good. A performance was often arranged by kings to entertain their guests and the dancers were often low status women who could do little to object when asked by the king to please guests, whether romantically, sexually or in any other way.

Unfortunately, the negative image of joged dancers continues until the present time. After the reformation era, joged became a wild performance in terms of its hip shaking and erotic movements.

The distribution of a VCD of pornographic jogged, filmed using an amateur video in 2002, made the negative images of joged even worse. In this and in following years, images of joged caused public controversy; many people liked to watch a 'wild joged', while others accused it of not being in accordance with moral values.

Joged had usually been performed in the annual Bali Arts Festival but, as a consequence of the joged porn VCD, the performance disappeared from the 2004 Bali Arts Festival. Interestingly, at the national level, issues of erotic gyrations of the young dangdut singer Inul Daratista also sparked controversy, but it has been allowed and accepted by the dominant view as a type of performing art.

Ideas to promote joged came up and were welcomed as long as the dance developed without any tendency to sensual or sexual movement. A 'Festival ngibing' was held to improve the politeness and dancing ability of spectators when invited to dance. Additionally, the aesthetic aspect of the dance was emphasised.

After some efforts to minimise wild aspects of joged, it reappeared in the Bali Arts Festival 2005. As expected, it was in a more polite form though the tendency to the hot shaking hips and kiss-stealing has not disappeared at all. Joged has often been performed to entertain a group of tourists with the main aim of creating a cheerful and fun occasion where tourists, male and female, can experience stretching their hands for a Balinese dance! The happy and entertaining quality of joged much depends upon where it is performed and who are the audience.

Written by Made Widnyana Sudibya
Featured on HelloBali - September 2005

Dance of the Dead has the look and feel of a disastrous zombie flick.  It has a bunch of no name teenage looking actors and actresses.  A plot (Zombies rise from the dead on the night of the prom and high schoolers have to fight for their lives and their town) ripped from several other zombie movies.  A movie poster eerily similar to that of 2004's amazing "zombedy" Shaun of the Dead.  And, on top of all this, a director with virtually no feature film directing experience.

But this, true believers (Yes, I just pulled a Stan Lee reference out of my ass.  You don't like it?  Go read a DC comic then you pussy.  Yeah I know Batman is good, but other than that, DC sucks.) is why we watch movies, and THEN decide if they suck or not.  Or at least some of us do.

Dance of the Dead managed to do something that all good horror, and especially zombie flicks, HAVE to do.  Make the most out of the pieces you have.  If you look back in the legendary genesis of the zombie flick, you will quickly find out that the best of the bunch, even the ones done by famed directors like Romero and Fulci, were done on smaller budgets without the luxury of having big stars to bank on for success.  Dance does this wonderfully, making even the predictable and annoying characters seem likable.  And if they weren't likable, then they at least had the presence of mind to kill them off early!

This all brings me to my first point.  The cast here, again full of people who's biggest project to date seems to be Dance of the Dead itself, are all very competent.  The movie is exactly demanding, but it still has a lot of dialogue, and without people to spew those words out, however trite or meaningless, it's difficult to make a movie work.  The saving grace seems to be the comedy within the conversations though.  Nothing is taken to seriously in Dance of the Dead, and that lightens the load for everyone involved.  It's a feel good, fun time zombie flick, and the cast seem to reflect that with the youthful energy being the driving force.

Direction here is solid, but not in the least bit flashy or pretentious.  There some nifty use of heavy lighting and filters, the cornerstones of any 80's "Return of the living Dead" style zombie flick, but other than that, everything's played pretty straight forward, and I for one have no problem with that.  If you don't feel comfortable as a director taking chances and being experimental, there's no need to force it.  That "comfort" is actually a strength to the film, and I felt right at home with the direction, and thankfully nothing was ruined by the dreaded "shaky cam" or choosing shitty angles to shoot the action on.  Simply put, the camera work never gets in the way of the fun.

Gore and special effects are all good, but it's most likely all stuff experienced zombie fans have seen before.  Doesn't mean it isn't highly entertaining, and some of the bullet wounds are particularly graphic.  There's also a head split in half the long way, and a severed head "still alive" gag that is very cool.  Nothing here will have you howling or calling your friends to tell them "how awesome that kill just was", but it's all impressive none the less, and thankfully, almost totally free of any cgi.  Yay!  Here at the Midnight Showing we basically have one rule concerning our gore and special f/x, and that is "Fuck CGI!"

If you couldn't tell by now, Dance of the Dead is a movie that has all the elements to become a cult classic.  Sure, that's pretty cliche to say, but when a movie has it, it just has it.  I think the director has a pretty good handle on this zombie thing, and if he continues to interject the brand of humor in his future flicks, he should make some very interesting stuff.  Also, some of the actors and actress's are surely going to be noticed because of this film.

If your looking for a light-hearted, "Shaun of the Dead" style zombie flick, and you can appreciate flicks that pay obvious homage to what's come before it (Return of the Living Dead, Night of the Creeps), then you should get plenty of enjoyment out of Dance of the Dead.

If only my prom was overrun by zombies.

            Purple almonds with waltzing noodles

 .....By Ruth (not Sabrina or anyone else not as awesome as me!!)

When I reached the hall, a big part of the crew was stuck in the traffic and The Guru was patiently waiting for the members of the orchestra and students to arrive.

So have you put in the “saleable elements”?- I ask him. He just smiles and says he doesn’t believe in those gimmicks. Mr. Nadarajan Muninady is a graduate of the Kalakshetra who wants to pass the unadulterated Kalakshetra style to his students..

After some more waiting the rehearsal began with a Pushpanjali (that tham tham thangita thaka tat ho danga thakutha.. commonly seen among Sri. V. P. Dhananjayan students). 6 of his 8-9 year olds started off with this pushpanjali . Nadarajan , a serious Guru instructed these kids to put away their slippers neatly. They were further instructed about their entry, placement and exit very very carefully...He didn’t want them to doing their “athouthu chalanam” on stage J

His 3 senior students(who had had their arangetrams) started the next piece Kakka kakka kanagavel kakka and If I recall right Mr. Nadarajan joined in the latter half.

The 3rd item I saw was a solo  by Mr. Nadarajan, enna solli padinalum unthanmanum urugavillai” in Neelamani composed by Ayanampatti Adishesha Iyer a totally abhinaya oriented piece..This is a song currently popularised By Smt. Aruna Sairam if I am not wrong. Despite being totally involved in the abhinaya, he turned to correct the singer who worded ”latchiyam” instead of “alatchiyum” in the Charanam.

Then it was the varanam, that started with the usual tha-ritha-ritha –ginajathi which his 3 senior students performed..

Unfortunately it was already too late and I had to leave...

The excellent mridangist, whose name  my aging memory fails to recollect, was the one who accompanied Ajith for Ujjwala too.. Bhavani Logeswaran, who sang for Ajith was also giving her best today...Pathma was the other accompanying vocalist. The Nattuvangum artist had come from India- Vidya Ravi, (not sure of the first name again) who looked very comfortable conducting the orchestra. Meena Kumaree who was the excellent narrator at Ajith Bhaskkar's show also pitches in here in the same capacity.. She was in her practice costume was probably dancing too. Incidentally she happens to learnt from

It was reassuring to see such passion for Bharathanatyam and adherence to tradition.  The kids had good araimandis and the savustavum of the students showed that Shubanjali , Nadarajan’s Dance Academy does take this seriously.. A few kids need to improve their natyarambham and complete their theermanam adavu in the faster speeds.

 But I am sure these kids who look genuinely interested and happy to be dancing, have found a dedicated Guru who can bring out the best in them if they continued to show the same interest and dedication as they are showing now. It was also a pleasure to see the motivating parents who had driven their wards all the way in the cursed traffic and rain after a day’s hard work for the nth rehearsal.

It’s a pity that I may not get to see this program actually, would have loved to watch the varnam in entirety and the thillana.

The show is to be held at MATIC Auditorium today (Oct.11th) at 8pm. Ticketed at 30 and 50 RM

For More Information contact: 012 633 1911

[vodpod id=Groupvideo.1652760&w=425&h=350&fv=%26rel%3D0%26border%3D0%26]

GENERAL LEE VS. LAMBHORGINI DIABLO Part 1

SUBSCRIBE TO:
http://www.youtube.com/user/MadAnim8tor
Kanye West-Love Lockdown[(Official Video)]HD+Lryics

Dj Unk-Show Out(Official Video)[HD]+Lryics [(UNCENSORED)]

TRACK l i s t :

01. Android Cartel - Android Intro [CDR]
02. Patrice Baumel - Roar [Get Physical]
03. Minilogue - Jamaica (Dubfire Remix) [Cocoon]
04. Minilogue - It's A Nice Way To Give Feedback (Heinrichs & Hirtenfellner Laughing Jackall Remix) []
05. Dave Shokh, Tony Rohr - Dirka Dirka (Re:Dirked by Alexi Delano & Xpansul) []
06. Stimming - The Anger (Edit) []
07. Ame, Henrik Schwarz, Dixon - D.P.O.M.B. (Version 2) []
08. Kasey Taylor - Trapped (Dousk Remix)
09. 3 Channels - It's Gettin' Kinda Hectic (Dubticket Remix) []
10. David K - Three Arches (Samim Remix) []
11. Deee-Lite - Good Beat (Android Cartel & Victor John Remix) [CDR]
12. Monoroom - Klique Klaque (Solomun Remix) []
13. Kabuto & Koji - Butterfly (Paul Rich Remix) [Supernature]
14. Danny Tenaglia - Music Is The Answer (Android Cartel Remix) []
15. Sasha - Who Killed Sparky? (Radio Slave Remix)
16. Marco Resmann - Sao Paulo Lights (Original Mix) [Upon You Records]
17. Unknown - Unknown [CDR]
18. Gamal Kabar - The Filth (3 Channels Remix) []
19. 2020 SoundSystem - Psycho (Burnski Remix) []
20. Ivel Tax - Midnight (Original Mix) []
21. Viente Tres - Serpiente Cosmica (Vocal Mix) [Rekids]
22. Super Flu - Sunset Handjob (Original Mix) []

Finally, the core dance program was brought onto stage with the fourth performance. From then until an unfortunate post-modernist piece, there was compelling choreography and movements to entertain your eyes (no lights! thank goodness). After two fabulous performances, the most unfortunate piece came onto stage.

Now I appreciate social/political commentary... as a political science student, I know the necessity of bringing issues to light with whatever means possible. But the Bull (1994) "dance" (there goes those "'s again) between two males in tuxedos did not succeed in its message. Touching, grouping, slapping, and much crotch-grabbing was the jist behind this overly-long "comedic" piece. There was no dance involved (albeit one intricate balls-grabbing jump into each other's arms). It was noisy, offensive to conservatives in the audience, and unfortunate that the few children in the audience were enjoying the slapstick more than the adults.

For two amazing dance performances, please check out the Chamber Dance Program's 20th anniversary at Meany Hall.

Ticket Pricing:
$18 General Admission
$16 Faculty/Staff/UAA
$10 Students/Seniors

For a light show and a poor effort at social comedy-- well.... check out the Chamber Dance Program's 20th anniversary.

(As always, the review is IMHO *in my humble opinion*)

I am a greedy, greedy bitch.

I know that not everyone can be in the big dance portion.  I know someone has to be in the back - that's even what I told my fellow ensemble girl when she complained to me about also wanting to dance more.  And I know that the director promised all these other girls they'd be dancing, and he made no such promises to me.  So I have no reason to complain.

But-but-but! I can dance the shit out of that number!

My new favorite person in the world, Gina, pulled me aside during a break and told me I should just ask J the director if I could be included.  I hemmed and hawed, then rehearsal started again and the director wandered over near her. 

"Hey, can I be in this part of the dance?" she asked. 

"Sure," he answered, and she trotted up to join the chosen few.  Then turned around to me and mouthed, "Loooooser!"  Complete with a finger-L squarely on her forehead.  I adore her. 

She tried to convince me again later to just ASK him, and I explained, "I just don't have that thing you have."   You know, that thing that allows you to open your mouth and say what you think.  I need to be drunk to do that.

By the time rehearsal ended, my body would be contained no longer and INSISTED on at least doing a couple turns.  I needed to spin like McCain needs to stop calling me his friend.  So I waited until everyone was stacking chairs in the other room, made sure no one was watching (although perhaps I secretly hoped someone would walk in and see), did a quick prep and performed five (!) perfect pirouettes.  Probably the best turns I've ever done.

Nobody walked in, of course.

So I packed up and went home, and the next day I did some more turns for Moo, who told me, "Nice, Mommy!  Niiiiiiiice."  And whaddaya know?  Then, I actually did feel quite satisfied.

Class with COOKIES?! No, not choreo cookies! *WOMP!

WE'RE TALKING ABOUT THE OTHER KIND OF COOKIES!

But class with COOKIES! (and other sweet things, too!) Wanna take a class and get your sweet tooth on? Then check it...

WHEN: SATURDAY, OCTOBER 18, 2008

WHERE: STEP BY STEP DANCESPORT, INC.
24 New Bridge Road
Bergenfield, NJ

TIME: 9 AM - 2 PM [SUBJECT TO CHANGE.]

WHAT: Project D Company class! 1-2PM (but cookies before then too!) Teachers are TBA.

WHY: Because! Learn a SWEET routine with some SWEET Treats! (the ppl are sweet too!)

BUT THIS WEEK of 10/10/2008 TAKE CLASS WITH...
[beg./int.] GREATCH BANAAG @ 12NOON-1PM
[int./adv.] JUDY GALANG @ 1PM-2PM

SEE YOU AT CLASS!

Hot Lava is a 4 piece outta Richmond, VA whose music took me a listen or two to get into, but once I did, I'm hooked! Their label knows more about them than I do:
"It’s been 3 years of countless laughs and quite a few line-up changes, Richmond, Virginia's Hot Lava, comprised of Allison Apperson, Jared Sosa, Andrew Mowe and Matt Deans, are finally ready to heat things up. Their multi-layered debut album, Lavalogy, is a unique, conceptual adventure that plays like the musical companion to a satirical and subversive graphic novel.

There is no denying the band's love-affair with 90's indie-pop or their 60's inspired sensibilities, but Hot Lava's music goes beyond celebrating the past, it gazes into the future with a wide-eye and an endearing, off-beat sense of humor. Whether lead singer Allison Apperson is romanticizing about a spinach-eating blue dragon, or wrestling with technology (Apple+Option+Fire), she and the rest of the boys are focused on smothering their catchy pop vignettes with candy-coated melodies and infectious hooks that are guaranteed to get your temperature rising.

The Lava crew started out as art school buddies, Allison was design focused, Jared and Andrew did film and Matt did illustration and design. Their background had them playing in galleries and underground warehouse parties. The local club scene was a little more problematic where it was hard to find bands that shared their sensibility. At one point Allison with other friends and Lavas started a Pretenders tribute band called the Pretend Pretenders. (check out their take on “Kid” at walrusmusicblog.com)

” When we started playing live in late 2006, we didn't really have a niche. We played with a lot of local bands, but there wasn't a lot of chemistry at times,” explains Allison “We started playing shows with out of town bands (The Videohippos, The SadCobras) a couple months later and realized that we were all pretty like minded folks. We've all networked a little now, and we’re part of a community that sort of spans up and down the East Coast. We're all friends of friends of friends and fans of each other's music The internet has sort of fueled a new weird music revolution that's happening right now.”

Like I said, give them a listen or two and check them out live if you ever get the chance. They're wrapping up a pretty exhaustive tour with about 5 shows left, if you're in the Northeast, go see 'em!

Oct 15, 2008 8:00 PM Gallery 5 Richmond, VA
Oct 21, 2008 12:00 PM Cakeshop New York, NY
Oct 22, 2008 8:00 PM Delancey Bar New York, NY
Nov 7, 2008 8:00 PM Meridian Coffeehouse Williamsburg, VA
Nov 8, 2008 7:00 PM Roanoke Arts Festival Roanoke, VA

Hot Lava - Apple+Option+Fire
[audio http://www.fileden.com/files/2008/10/1/2123886/Resolutions%2008.mp3|bgcolor=000000]

Hot Lava - Resolutions 08
[audio http://www.fileden.com/files/2008/10/1/2123886/Apple%20Option%20Fire.mp3|bgcolor=000000]

Anyways, some upcoming events that I'll be attending and you should too!

super sexy dance party for realzzzz.  ear the music here: John Arnold 

And then....we have the DIIIIIIPLOOOOOO!

ear some music here: its a diplo!

This Saturday, I'm going to some Costume/Halloween party at the vfw hall on Jefferson in St. Clair Shores.  Should be a regular shit show night.  Still gotta find a costume though.  psh. psh. psh.  Ain't nothing like waiting until the last min!  But, the $20 - all you can drink will treat me niccccely.  :D

Enjoy your weekend! 

xoxo,
Lizzy

Kev

Datum: 26th February to 22nd June 2009

NOMAD Dance Academy
Educational programme NOMAD Dance Academy 2009

Call for applications
http://www.nomaddanceacademy.org/

NOMAD Dance Academy is inviting young artists from the field of contemporary dance and related professions to the nomadic "dance-research-exchange" program from Sarajevo, via Skopje, Sofia, Belgrade and Zagreb to Ljubljana that takes place from 26th February to 22nd June 2009.
NOMAD/ Educational programme 2009 is dedicated to the group of up to 12 emerging artists from the Balkans who are motivated and mature to live, learn, work and move together for 4 months, creating a network for future artistic collaboration and continuing to work in contemporary dance.

NOMAD / Educational programme is made to improve and encourage exchange, education and creation in contemporary dance in the Balkans through a set of workshops, lectures, study visits and encounters with artists and theoretics from all related countries and abroad:

NOMAD / Educational programme is an opportunity to upgrade your artistic expression, to enhance your career at its early stage and to make a ground for future international collaboration.

NOMAD / Educational programme gives up to 12 scholarships that cover part of the tuition fee, travel expenses and accommodation during 4 months (March-June). Meals and extra travels are students’ expenses.

Criteria and selection procedure:

1. Eligible are contemporary dance and performing artists and other professionals interested to work closer to the contemporary dance field from Bosnia and Herzegovina, Bulgaria, Croatia, Macedonia, Serbia and Slovenia, but also from other countries.

2. Application form (containing CV and motivation letter) and selected video material of your work shoud be received by 27th October 2008 to the local NOMAD office:
Bosnia and Herzegovina – Tanzelarija nda_bih@nomaddanceacademy.org,
Bulgaria – Brain Store Project nda_bg@nomaddanceacademy.org,
Croatia – TALA nda_cro@nomaddanceacademy.org,
Macedonia – Lokomotiva nda_mk@nomaddanceacademy.org,
Serbia – Station Service for contemporary dance nda_srb@nomaddanceacademy.org,
Slovenia – Fičo Balet nda_slo@nomaddanceacademy.org.
Others: ab_nda@nomaddanceacademy.org

You can download it at www.nomaddanceacademy.org or ask for it at the above given addresses. Late applications will not be considered!

3. NOMAD Artistic Board will evaluate all applicants and inform them about the results of selection until 15th November 2008.

4. Applicants from other countries, if selected, pay 800 EUR tuition fee and are expected to cover accommodation, travel and meals expenses. Organizers will help these applicants to search for other scholarships and grants.

5. Selected NOMAD students from the Balkans will be obliged to pay the participation fee of 300 EUR until 1st February 2009. The participation fee will not be reimbursed if a student decides to withdraw his/her application after this date.

NOMAD Dance Academy Educational Programme 2009 – DRAFT
(this programme may be changed in details)

TRAVEL SCHEDULE:
SARAJEVO: 25th February – 15th March 2009
SKOPJE: 15th – 31st March 2009
SOFIA: 31st March – 17th April 2009
KANJIZA: 17th – 26th April 2009
ONE WEEK BREAK
BELGRADE: 2nd – 16th May 2009
ZAGREB: 16th May – 3rd June 2009
PIRAN: 3rd – 11th June 2009
LJUBLJANA: 11th – 23rd June 2009

BODY WORK AND CREATION WORKSHOPS:
Martin Sonderkamp (DE), Isabelle Schad (DE), Gregor Luštek (SLO), Erol Aleksander (BG/DE), Ivica Buljan (CRO), Emil Hrvatin (SLO), Howard Katz Fireheart (USA/DE), Irma Omerzo (CRO) ...

INTERDICIPLINARY WORKSHOPS:
Dorian Kolundžija (SER), Igor Remeta (SLO), Tomaž Štrucl (SLO), Brane Zorman (SLO), Andrej Intihar (SLO), Igor Medjugorac (SLO), Miha Klinar (SLO) ...

LECTURES:
Sonja Zdravkovska (MK), Bojana Cvejić (SER/B), Ani Vaseva (BG), Boyan Manchev (BG/FR), Bojana Kunst (SLO), Ana Vujanović (SER), Maja Djurinovič (CRO)...

ARTISTIC MENTORS:
Borut Šeparovič (CRO/NL), Rok Vevar (SLO), Jasmina Prolić (BIH/FR), Iskra Šukarova (MK), Willy Prager (BG), Iva Sveshtarova (BG), Dalija Aćin (SER), Aleksandra Janeva (CRO/B), Tamara Curić (CRO), Dejan Srhoj (SLO), Goran Bogdanovski (SLO)

Rok prijave: 27/10/08

Kontakt:
NOMAD Dance Academy
Goran Bogdanovski
tel: + 386 41 853 891
ab_nda@nomaddanceacademy.org
http://www.nomaddanceacademy.org/
Vir podatka: NOMAD Dance Academy